Kaze Tachinu

Although Jirou Horikoshi's nearsightedness prevents him from ever becoming a pilot, he leaves his hometown to study aeronautical engineering at Tokyo Imperial University for one simple purpose: to design and build planes just like his hero, Italian aircraft pioneer Giovanni Battista Caproni. His arrival in the capital coincides with the Great Kanto Earthquake of 1923, during which he saves a maid serving the family of a young girl named Naoko Satomi; this disastrous event marks the beginning of over two decades of social unrest and malaise leading up to Japan's eventual surrender in World War II.

For Jirou, the years leading up to the production of his infamous Mitsubishi A6M Zero fighter aircraft will test every fiber of his being. His many travels and life experiences only urge him onward⁠—even as he realizes both the role of his creations in the war and the harsh realities of his personal life. As time marches on, he must confront an impossible question: at what cost does he chase his beautiful dream?

[Written by MAL Rewrite]

Horikoshi, Jirou Main

Anno, Hideaki Japanese

Satomi, Naoko Main

Iino, Mayu Japanese

Caproni, Giovanni Supporting

Nomura, Mansai Japanese

Castorp Supporting

Alpert, Stephen Japanese

Kurokawa Supporting

Nishimura, Masahiko Japanese

Honjou, Kirou Supporting

Nishijima, Hidetoshi Japanese

Horikoshi, Kayo Supporting

Shida, Mirai Japanese

Hattori Supporting

Kunimura, Jun Japanese

Sone, Yoshitoshi Supporting

Kurokawa, Wife Supporting

Ootake, Shinobu Japanese

Suzuki, Toshio Producer

Miyazaki, Hayao Director, Screenplay, Original Creator

Kimura, Eriko Sound Director

Kasamatsu, Kouji Sound Director

Reviews

Dec 9, 2024

bergars

Recommended

Overall, the highest degree of “good” I can think of.

I let this movie sit with me for a while, to see how memorable it actually was. There isn't much to say about it for me.

The split between aspirations, and love, and the hardships to balance it out, while a tragedy is building up on both sides. As a romance movie, it's actually pretty great. The maturity with which the themes of an impossible love are dealt with. We aspire to create, even if such creation contradicts our wishes to not destroy.

In the midst of the army, scientific discoveries, engineering, a man simply wishes to love, ... to create, to follow his passions. It is pretty good, and it juggles the themes well, but then, that's about it. One side of the movie doesn't interest me that much, since sure there's “stakes” if he fails, but I was way more invested in him having his love story. We do need that side of the story, so the other one is a lot greater, but they still want both to be important.

The juggling with the themes worked, where the story ones simply didn't. It leaves me a bit in between. I really liked the characters, I loved the relationship, and the sad, but melancholic nature of the ending worked so well for me. Once you finish your life's work, all left is to love, to experience, and the eventual passing of life.

It all culminates in the great encounters that leave us wanting more, from which we'll get more of, eventually, once we go through the grassy patch, where the wind rises high, and the love remains alive.

7/10. The ending was the absolute best part.

Reviewer’s Rating: 7

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Mar 1, 2024

OhsnapitsDavid

Mixed Feelings

"with the face like he's carrying the future of japanese aviation" (sleeps average)

Kaze Tachinu is a solid 9. Proof that more modern Ghibli films have become very toned-down and safe compared to past films. And I don't mean that there is less amounts of questionable over-work, I mean that the newer digital films are playing more the safe side in the part of its story telling.

Kaze Tachinu has the Ghibli touch, very apparent it's cleaner digital form, but sadly the story as well as the characters have trouble holding the same interest factor.

Ghibli in the digital age has grown to only highlight the flaws more ... than traditional animation. Where as past films could get away with blander characters and scenes through a higher production value, newer films reveal the lack of characters, the bland environments, and the mundane not for its good factors.

Just like all good things, even Ghiblis common staples have become to stick out, that it's more obvious when their production begins to show its wear and tear.

But enough rants about digital Ghibli, this was just a long way to say that this movie was a solid 9. It's okay. It's fine. It's nothing to cry about or make a huge fuss. In a way, that's sort of the problem. Kaze Tachinu aims to get away with a long narrative of a story rather than showing not telling. It's art style is masquerading the same wonder that traditional art has. It's characters, especially the main character is a weak actor even compared to more subtle films like Whisper of the Heart.

The entire film attempts to include dreamy scenes mixed with a "strong" poetic message in it's dialouge, but it's all so surface level when it's parred with a mundane execution of story telling. Yes, some scenes are amazing. Yes, some dialouge phrases are cool. No, it does not mean the movie as a whole has redemption.

The film goes for a realism approach, like moderns films like The Aviator, but sadly, there just isn't enough love in the story telling as much as it is just a "push the scene to the next, attempt to sprinkle some flare, and move on."

Which is a shame, because if you really wanted a good story, and one that has planes, then watch Porco Rosso.
If you want a good movie that's also realistic, you can watch Hotaru no Haka or Whisper of the Heart.
If you want to watch an actual poetic film, that's also light hearted, then watch Castle in the Sky.

But this ain't it. Sorry Ghibli. No one bats a 1000 and when it comes to digital, theres better movies they have made like even Ponyo lol.

This movie has all the right traits to be successful: the art budget, the story, the setting, but sadly it chose to be JUST okay, with JUST the usual tropes, with JUST the required amount of interest that after the first half the movie begins to show its plastic nails. Like, there were barely tears or emotion in the scenes that needed them.

Ironic that this is the film known for its profound one-liners. Sorry Ghibli, the ending line was wasted for this movie.
Miyazaki can blame disney, his own staff, his age, or anything else he wants. But the real responsibility is his own green light to want to make a casual digital film like this. Again, nothing really wrong with this film except that there's also nothing special either that makes Kaze Tachinu different than any other anime in the market.

Reviewer’s Rating: 9

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Dec 12, 2020

SCLFI

Not Recommended

Considering that engineering’s about as hard of a science as they come, it’s rather ironic that Kaze Tachinu, a film about an aeronautical engineer, feels very poorly constructed and with far too many elements that weaken the overall strength of the narrative. Excessive attention is given to ideas and plot points that do not matter, but the basic points that you would think it would make sense to be the film’s schwerpunkt, end up feeling like they were overlooked to make room for pretty scenery.

The first issue with the structure I have is the scope of his life that is depicted. We see our main ... character, Jirou, through three stages of his life – his childhood, university, and his subsequent career, building planes for Mitsubishi. But when it comes down to it, only the last one is needed, as the first two of these provide a singular purpose that could have been provided far more efficiently by other means.
During his childhood, his appreciation of planes is established, as is the fact he has recurring dreams with Count Italian-bloke, used to provide insight into Jirou’s beliefs regarding his line of work. But they could have just provided narration, which is a perfectly common technique, and it works perfectly well, nothing the Count says is particularly insightful, it’s all very surface level stuff that you’d probably be insulting Jirou’s intelligence if you assumed he hadn’t considered it himself. There is nothing stopping them from getting Jirou to monologue about his own beliefs, especially when he hardly speaks in these interactions. If you’re going to make the conversation so one-sided, why not remove the one side that is never present elsewhere, and is thereby of no value?

Next, his university life doesn’t matter particularly, it shows him as a workaholic who’s considered a bit strange by his colleagues, but it doesn’t matter because that’s all reverted immediately afterwards, and it’s not a major detail by any means. It’s not like there’s any emotional development or anything, again, they could have remove this detail, to no detriment. The real reason it’s shown is to show a singular event, in which during a train ride, a woman saves his hat from falling, and later, an earthquake happens and he helps her out. Doesn’t exactly save her life or anything, and he would have helped her more if he just gave her the money for a taxi. At this point in time, his university life is narratively pointless, but for the wrong reasons, I’ll explain why when the time comes.

And, the worst part is, they don’t even show the important parts of his life. This is a story about a person who produced planes for Japan during the Second Sino-Japanese War. What, then, would be the most important years of his life to document? 1937-1945, the years that the war actually took place, but that doesn’t happen, more screentime is spent in the fucking Taisho era. Eventually, after several failures because apparently Japanese planes were just so bad they couldn’t stop exploding, he produces his magnum opus, the A6M Zero. So, you would think this is the paradigm shfit for the film, the point where it gets good, and there are many philosophical and thematic angles to take here, especially with his heavily foreshadowed pacifistic stance, but no, the film just ends, which is disappointing to say the least. Speaking of foreshadowing, they foreshadow the war a lot, everyone keeps talking about how Japan can’t possibly win a war, it’s a poor and technologically backwards country, they are going to lose, “they will blow up.” Anachronistic writing aside, they never show it happen, we don’t see them blow up, there is no war, people talk about how a war is going to happen, and then we see the very end of it, with no explanation of what lead to that moment.

In the film’s last act, which is where in a better one the wartime impact of Jirou’s inventions would actually be shown, they instead devote it to a pointless romance that just makes no sense. Remember that one woman who saved Jirou’s hat? Apparently, he’s been in love with her for as long as he’s known her, despite the fact that he’s spoken to her about 3 times in his entire life, and wants to marry her, which comes out of fucking nowhere, makes no sense, but he does, he actually marries a woman he’s never talked to for more than a consecutive 5 minutes. Also there’s some subplot about her having TB. She gets a hemorrhage and starts bleeding out her eyes, which you would think is pretty serious and probably means it’s going to kill her, but no, she runs away from a hospital and goes back to Jirou and lives without any actual health problems. That is, until she leaves again because she knows she’s about to die and doesn’t want to make him sad, or something.

As a furtherance of this, there is just a general presence of plot elements that are unresolved, unexplored, or just not properly explained. At one point, it’s said that the Kempeitai are looking for Jirou, and so he hides. And then it’s never mentioned again, if the Kempeitai want to talk to you, they’ll talk to you, and not going to give up after one try, it’s not like he’s fucking subtle about it, they could very easily barge into his workplace, but they never do.

More than anything else, the process of developing the plane just isn’t there. I don’t know what it’s like, or how he felt. They go through a bunch of models so bad they can’t do a single flight without exploding, and then, it’s done, no explanation of the inbetween. In the beginning, there seem to be arguments about one specific part of the plane, but after this issue is resolved, it becomes extremely vague, they build it for a bunch of years and it doesn’t work, and then it does. Nobody even asks Jirou if they think he did a good job with the Zero, and it’s not like he’d tell anyone himself, this Where’s Wally looking motherfucker apparently can’t express anything unless some Italian in his dreams tells him to.

Another point that seems to not make much sense is Jirou’s character. He’s an aeronautical engineer from some part of Japan that’s not exactly urban, but regardless, he apparently has an excellent grasp on the German and Italian language, even as a child, French and German poetry, German opera, and that’s just the stuff I remember. It just doesn’t make sense, I get it, you want to make your main character seem intelligent, but there are better ways of doing that. I would suggest demonstrating his creativity and technical skill when it comes to designing planes, which just so happens to be his fucking job.

In short, Kaze Tachinu has no focus, it has a bunch of vague ideas that are never realised, as they decided to substitute the actual life and work of the main character in place of some stupid romance. It is a biopic with a main character who is entirely uninteresting, and whose achievements are depicted in such a way you can’t even care about them. The Zero was actually a well made fighter, very advanced for the time, with a huge number of technological innovations. But Kaze Tachinu wouldn’t tell you that, the only thing it’s taught me about Jirou and the Zero is that he designed it in a ‘romantic’ moment where he was holding his wife’s hand.

Reviewer’s Rating: 3

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