Reviews

After the terrible and untimely passing of his parents and younger brother, Mirai was forced to live with his violent uncle and aunt. Later, he makes the decision to terminate his life before being spared and granted a second opportunity by Nasse, one of the thirteen angels sent by God. She tells him that before the old God retires in nine hundred and ninety days, he must compete against twelve other God contenders. From this point on, Mirai must start again and determine whether or not his second shot at life is worth fighting for.

The characteristics of the characters were all very different from one another; some of them have been seen often yet are still vaguely recognizable in other works of media. Not too intricate nor too stale.

The music had a heavenly aspect to it while also capturing a tense turn of events that helped to portray the tone of the story's locale and characters. Notable figures include the legendary Metropoliman, in particular, with his hidden identity, past, and moral convictions of trying to succeed in becoming the next God and Mirai confessing his true feelings and relationship for Saki.

The speed and resolution were the only issues I had with the manga and anime. Viewers and series aficionados disagree on whether the finale itself was satisfactory. Some of the story's episodes' pacing and storyline developments were enjoyable and manageable to follow, while other episodes seemed to be either moving too slowly or too quickly for me to fully absorb.

Overall, some may advise avoiding this entry due to its weak plot, unlikable characters, and recurring moral themes from Tsugumi Ohba's earlier works; however, if you like Tsugumi Ohba's numerous works, including Death Note, Bakuman, and many more, as well as anime that features life-or-death encounters between people in desperate situations where participation is either required or encouraged, I would consider giving this piece of artwork a chance.